Theories of the text- academic summary Essay Example | Topics and Well Written Essays - 1000 words

Theories of the text- academic summary - Essay ExampleThe purpose of stilwells chapter on the importance of backbreaking in cinematography and exposure is not to suggest that audio is more classical than the visuals, but to explore why fit plays such an important part in the making of the film and to compete that more attention should be paid to the study of audio. Stilwell begins the analysis of punishing by illustrating that sound is very different from light in many respects, although there is a temptation to separate sound (not just in film, but through life) into components like dialogue, effect and harmony. Stilwell argues that this may not be wise, as these are all intersecting aspects of the same audial landscape. Additionally, the dialogue may often overshadow interpretation of the symphony and effects, which can be taken on by specialists or often ignored altogether. Stilwell also argues that music and effects often play a more subliminal part for the audience than dialogue, but are integral to the experience of the film and thus should not be ignored academically. Stilwell then elaborates into the focus of the chapter how subjectivity and gender are both part of the interpretation of the audio landscape. ... This idea is backed up by the nature of cinema, including the ego-gratifying identification with the male hero and the libidinal spectacularisation of the female body (stilwell, 2005). Stilwell then goes on to argue about the types of sound that can be experienced in the cinematic landscape and how these have semi-formal relationships with gender. In freudian analyses, the male vocalism is dominant and the female joint is submissive. In this sense, the male voice can be equated to important dialogue (as expressed before, the most noticeable part of the soundscape) and the female voice can be equated to music or effects. The link can be moved further sound is the ignored feminine and visuals are the dominant masculine part of the film (Stillwell 2005). This aspects makes subjectivity be viewed as a complex concept. The author points out that subjectivity has overlapping meanings. Subjectivity varies according to meanings and can be understood the associated cultural coding. While female voice in films is associated subjectivity the females are expected to be submissive in many cultures including the western cultures. The author tries to point out that sound, especially hearing, is associated with irrational and worked up aspects. Sound is magnified by its subject, which is music. Music, emotions, and irrationality are highly associated with feminine inherent in culture. The bond certificate of music, irrationality, and emotion is woven into the psychoanalytic theory (Stillwell 2005). The same alliance has both positive and negative implications, specifically for the female subjectivity. These implications are further extended to